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Great tone is a very subjective thing that is unique and personal to every person.  Let me begin this article by saying that.  Let me also say that tone is caused by many things which all go into a blender....

Getting a Great Guitar Tone: Part 1

Great tone is a very subjective thing that is unique and personal to every person. Let me begin this article by saying that. Let me also say that tone is caused by many things which all go into a blender….

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The DC-9 is a sweet little compression/sustain pedal that is really affordable!

SMG Review: Behringer DC-9 Dynamic Compression Pedal

The DC-9 is a sweet little compression/sustain pedal that is really affordable!

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Shopping for pedals through the virtual store is fun and the fact that you can upload a wide variety of stomp boxes to a real pedal you can integrate with your board opens up options for changing your effects preferences on the fly...

SMG Review: DigiTech iStomp

Shopping for pedals through the virtual store is fun and the fact that you can upload a wide variety of stomp boxes to a real pedal you can integrate with your board opens up options for changing your effects preferences on the fly…

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SMG front-man Oscar Jordan meet with guitarist Michael Pagaard of T-Rex Engineering to discuss a couple of hot new products from T-Rex.

NAMM 2012: T-Rex Engineering – Video Interview with Michael Pagaard!

SMG front-man Oscar Jordan meet with guitarist Michael Pagaard of T-Rex Engineering to discuss a couple of hot new products from T-Rex.

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Line 6 is recognized as a leader in sound modeling, accurately emulating a wide variety of amps, stringed instruments, and effects through digital technology. For this review, my guitar of choice was a mid-80’s 1962 reissue Fender Telecaster and I used a PreSonus TubePre as the interface between guitar and computer.

SMG Review: Line 6 POD Farm 2.5

Line 6 is recognized as a leader in sound modeling, accurately emulating a wide variety of amps, stringed instruments, and effects through digital technology. For this review, my guitar of choice was a mid-80’s 1962 reissue Fender Telecaster and I used a PreSonus TubePre as the interface between guitar and computer.

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Over the past week I have run the gauntlet with five of the T-Rex ToneBug effects pedals. The Sensewah, Fuzz, Booster, Compressor/Sustainer and the Fotenschlager distortion pedal. I hope this review sheds some new light on an awesome effects company and their products.

SMG Review: T-Rex ToneBug Series Guitar Effects Pedals

Over the past week I have run the gauntlet with five of the T-Rex ToneBug effects pedals. The Sensewah, Fuzz, Booster, Compressor/Sustainer and the Fotenschlager distortion pedal. I hope this review sheds some new light on an awesome effects company and their products.

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